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Detrás de Cámara
dc.contributor.advisor | Galvis | spa |
dc.contributor.advisor | Luis José | spa |
dc.contributor.author | Gaviria, Víctor | spa |
dc.coverage.spatial | Bucaramanga (Santander, Colombia) | spa |
dc.coverage.temporal | 2019 | spa |
dc.date.accessioned | 2021-04-06T20:54:35Z | |
dc.date.available | 2021-04-06T20:54:35Z | |
dc.date.issued | 2019-08-28 | |
dc.identifier.uri | http://hdl.handle.net/20.500.12749/12948 | |
dc.description | 01:33:01 horas | |
dc.description.abstract | Víctor Gaviria habla de su libro Detrás de Cámaras y hace una reflexión en torno a lo que se llamó en Medellín "El Parlache" es ese lenguaje de retraído, parcero, amurao todas estas cosas hacen que sea un lenguaje de la exclusión. | spa |
dc.format.mimetype | application/html | spa |
dc.language.iso | spa | spa |
dc.relation.uri | https://unabtv.com/detras-de-camara/ | |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/2.5/co/ | |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/2.5/co/ | |
dc.title | Detrás de Cámara | |
dc.type | Audiovisual | |
dc.title.translated | Behind the camera | |
dc.coverage | Bucaramanga (Colombia) | spa |
dc.publisher.grantor | Universidad Autónoma de Bucaramanga UNAB | spa |
dc.rights.local | Abierto (Texto Completo) | |
dc.publisher.faculty | Facultad Ciencias Sociales, Humanidades y Artes | spa |
dc.publisher.program | Pregrado Artes Audiovisuales | spa |
dc.publisher.program | Pregrado Comunicación Social | spa |
dc.type.driver | info:eu-repo/semantics/other | |
dc.type.local | Audiovisual | |
dc.type.coar | http://purl.org/coar/resource_type/c_12ce | |
dc.subject.keywords | Chronicles | eng |
dc.subject.keywords | Testimonials | eng |
dc.subject.keywords | Reflections | eng |
dc.subject.keywords | Oral literature | eng |
dc.subject.keywords | Texts | eng |
dc.subject.keywords | Writers | eng |
dc.subject.keywords | Stories | eng |
dc.subject.keywords | Fiction | eng |
dc.subject.keywords | Cinema | eng |
dc.subject.keywords | Institutional videos | eng |
dc.subject.keywords | Audiovisual production | eng |
dc.subject.keywords | Multimedia | eng |
dc.subject.keywords | Institutional productions | eng |
dc.subject.keywords | University projects | eng |
dc.identifier.instname | instname:Universidad Autónoma de Bucaramanga - UNAB | spa |
dc.identifier.reponame | reponame:Repositorio Institucional UNAB | spa |
dc.type.hasversion | info:eu-repo/semantics/acceptedVersion | |
dc.rights.accessrights | info:eu-repo/semantics/openAccess | spa |
dc.rights.accessrights | http://purl.org/coar/resource_type/c_8a7e | spa |
dc.contributor.cvlac | https://scienti.minciencias.gov.co/cvlac/visualizador/generarCurriculoCv.do?cod_rh=0001315960 | * |
dc.contributor.orcid | https://orcid.org/0000-0002-2494-3121 | * |
dc.subject.lemb | Videos institucionales | |
dc.subject.lemb | Producción audiovisual | |
dc.subject.lemb | Multimedia | |
dc.subject.lemb | Producciones institucionales | |
dc.subject.lemb | Proyectos universitarios | |
dc.identifier.repourl | repourl:https://repository.unab.edu.co | |
dc.description.abstractenglish | Víctor Gaviria talks about his book Behind the Cameras and reflects on what was called in Medellín "El Parlache" is that language of withdrawn, parcero, amura or all these things make it a language of exclusion. | eng |
dc.subject.proposal | Crónicas | |
dc.subject.proposal | Testimonios | |
dc.subject.proposal | Reflexiones | |
dc.subject.proposal | Literatura oral | |
dc.subject.proposal | Textos | |
dc.subject.proposal | Escritores | |
dc.subject.proposal | Relatos | |
dc.subject.proposal | Ficción | |
dc.subject.proposal | Cine | |
dc.type.redcol | http://purl.org/redcol/resource_type/GC | |
dc.rights.creativecommons | Atribución-NoComercial-SinDerivadas 2.5 Colombia | |
dc.publisher.deparment | Centro de Producción Audiovisual CPA | spa |
dc.publisher.deparment | UNAB TV | spa |
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